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Amistad (1997)
Description
Cinque leads this long journey sailing from Cuba to America through the slave ship Amistad. The journey begins with a series of challenges and difficulties because the slaves try to make a real uprising in order to release them and erase their bondage. After the slave protest, the slaves were held in Connecticut and their release became controversial. The freed slave Theodore Godson of Sync tries to acquit others, as Theodore recruited Roger Baldwin as a lawyer to help with the cause of the liberating slaves. In the end, John Quincy Adams became an ally of these slaves who are trying to free themselves from slavery for years.
Cinque leads this long journey sailing from Cuba to America through the slave ship Amistad. The journey begins with a series of challenges and difficulties because the slaves try to make a real uprising in order to release them and erase their bondage. After the slave protest, the slaves were held in Connecticut and their release became controversial. The freed slave Theodore Godson of Sync tries to acquit others, as Theodore recruited Roger Baldwin as a lawyer to help with the cause of the liberating slaves. In the end, John Quincy Adams became an ally of these slaves who are trying to free themselves from slavery for years.
Actors:
Samson Odede,
Baboucar Jobe,
Anna Paquin,
Willie Onafesso,
Darren E. Burrows,
Lester Mombelly,
Nigel Hawthorne,
Peter Firth,
Tesfay Yohannes,
John Ortiz,
Lawrence Gaughan,
...»
Samson Odede
Baboucar Jobe
Anna Paquin
24 July 1982, Winnipeg, Manitoba, Canada
Willie Onafesso
Darren E. Burrows
12 September 1966, Winfield, Kansas, USA
Lester Mombelly
Nigel Hawthorne
5 April 1929, Coventry, Warwickshire, England, UK
Peter Firth
27 October 1953, Bradford, Yorkshire, England, UK
Tesfay Yohannes
John Ortiz
23 May 1968, Brooklyn, New York City, New York, USA
Lawrence Gaughan
19 November 1966, Charlottesville, Virginia, USA
Director:
Steven Spielberg
Steven Spielberg
18 December 1946, Cincinnati, Ohio, USA
Country:
United States
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April 09, 2005
Amistad is the telling of an interesting event in American history, but doesn't draw its audience in to the heart of the story.June 18, 2002
In Amistad, an admirable but disappointing effort...[Speilberg] veers between stoic political correctness and mushy Hollywood platitudes.December 06, 2004
This is the most straightforward, understated, and powerful big-screen representation of the gospel in recent movie history. And for that, Amistad should be recommended to everyone.
Houston Chronicle
January 01, 2000
Halfway into Amistad comes the point where Steven Spielberg pulls the lever, and the stink and horror and bestialities of slavery spill around our ankles. We can't look away.
Film Threat
December 06, 2005
Fortunately, the dry, courtroom banter is interjected with powerful accounts of the violent, inhumane atrocities inflicted on the slaves by Spanish merchants.
Common Sense Media
December 21, 2010
Powerful story for mid-teens and up.June 24, 2006
In short, a wordy courtroom drama which seldom progresses beyond ciphers, stereotypes and salutary slogans.January 01, 2000
Thematically rich, impeccably crafted, and intellectually stimulating, the only area where this movie falls a little short is in its emotional impact.February 13, 2006
Aiming to instruct and entertain, and often struggling to reconcile these goals, Amistad lacks the subtlety of tone and simplicity of form that made Schindler's List one of Spielberg's very best; here, however, every idea and image are too explicit.April 12, 2002
Spielberg seems to be dividing his filmmaking output into two distinct halves: in the summer months cranking out no-brainer dinosaur flicks...in the winter season unveiling his serious artistic stuff to edify the adults and woo the Oscar crowd.May 26, 2006
Amistad is worth seeing just for people to know about this important story, this moment in history. But from the world's most powerful, successful and famous director, we expect more.
USA Today
January 01, 2000
As Spielberg vehicles go, Amistad -- part mystery, action thriller, courtroom drama, even culture-clash comedy -- lands between the disturbing lyricism of Schindler's List and the storybook artificiality of The Color Purple.