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City Of God
Description
A Drug dealer loves to be the talk of the town while his second is a photographer who captures every event that surrounds him thereby increasing the rivalry.
A Drug dealer loves to be the talk of the town while his second is a photographer who captures every event that surrounds him thereby increasing the rivalry.
Actors:
Diego Batista ,
Diego Mendes ,
Edson Oliveira ,
Guti Fraga ,
Marcio Vinicios ,
Robson Rocha ,
JĂșlio CĂ©sar Siqueira ,
Wemerson Gonçalves ,
Leandro Firmino ,
Graziella Moretto ,
Leandro Gonçalves ,
...»
Diego Batista
Diego Mendes
Edson Oliveira
Guti Fraga
1953, Alto Garças, Mato Grosso, Brazil
Marcio Vinicios
Robson Rocha
JĂșlio CĂ©sar Siqueira
Wemerson Gonçalves
Leandro Firmino
23 June 1978, Rio de Janeiro, Rio de Janeiro, Brazil
Graziella Moretto
15 May 1972, Santos, SĂŁo Paulo, Brazil
Leandro Gonçalves
Director:
KĂĄtia Lund ,
Fernando Meirelles
KĂĄtia Lund
1966, SĂŁo Paulo, SĂŁo Paulo, Brazil
Fernando Meirelles
9 November 1955, SĂŁo Paulo, SĂŁo Paulo, Brazil
Country:
International
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June 12, 2009
Fernando Meirelles' Brazilian slum epic is a profound, stylistically expansive depiction of three decades of child gang warfare on the outskirts of Rio de Janeiro with non-actors playing their poverty-ridden lives for the camera.
June 17, 2009
City of God delivers a bruising, visceral experience of the vicious spiral of violence that draws kids into a life of crime, brutality and murder as the only avenue open to them.
November 12, 2008
The visceral and artistic excitement remains surface-bound.
Orlando Sentinel
March 20, 2003
Hard to watch but even harder to tear your eyes away from.
December 31, 2009
Brazillian director Mereilles' splashy feature debut, a dynamically exciting portrait of Rio's violent gangs, immediately established himsef as an international talent to watch, and the Oscar nods only reaffirmed that status.
November 08, 2011
Another passionate piece of Latin American filmmaking, which documents a tragic period in Rio's history and highlights the horrors of life in poverty-line communities. Technically a remarkable filmmaking achievement too.
November 08, 2011
I came away from this film impressed by its narrative control but unmoved by anything it had to say.
May 19, 2004
Difficult to watch but hard to look away from.
September 25, 2010
Each chapter is endowed with powerful, uncompromising, beguiling and, sometimes, deceptive momentum. What seem like innocuous turns become so critical to the narrative that they tie into the ruthless idea at hand: You never see the bullet that kills you.
June 24, 2006
The performances, many from non-pros, are terrific.
Common Sense Media
December 22, 2010
Powerful, but only for 17 and up.
March 11, 2004
The living conditions it projects are as horrendous as I had feared, but the movie is surprisingly easy to take as a rollicking homicidal entertainment.