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Pay Back
Description
Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.
Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.
Actors:
Ed Pfeifer,
Kris Kristofferson,
Freddy RodrĂguez,
Roddy Chiong,
Gregg Henry,
James Deuter,
Kate Buddeke,
Michael Park Ingram,
Justin Ashforth,
Andrew Cooper,
Tom Equin,
...»
Ed Pfeifer
20 February 1962, Chicago, Illinois, USA
Kris Kristofferson
22 June 1936, Brownsville, Texas, USA
Freddy RodrĂguez
17 January 1975, Chicago, Illinois, USA
Roddy Chiong
Gregg Henry
6 May 1952, Lakewood, Colorado, USA
James Deuter
19 March 1939, Chicago, Illinois, USA
Kate Buddeke
Michael Park Ingram
Justin Ashforth
Andrew Cooper
Tom Equin
Director:
Brian Helgeland
Brian Helgeland
17 January 1961, Providence, Rhode Island, USA
Country:
United States
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December 08, 2002
Payback is just Die Hard: Without a Soul.
June 18, 2002
A higher class of thriller.
October 15, 2002
The movie squanders its energy on morbid levels of grisly, kinky violence, much of it sexual.
Chicago Tribune
January 01, 2000
A mind-mangling disappointment, with a dopey sell-out ending.
April 13, 2004
Payback has its moments and its thrills, but the payoff just isn't there.
June 21, 2007
A solid enough action comedy, albeit one that had a lot of potential to be wittier and darker.
November 06, 2002
Demonstrates why Mel Gibson is a movie star: He can take mediocre material and through sheer willpower -- not to mention oodles of charm -- make it work.
Rolling Stone
May 11, 2001
In the popcorn sense, it certainly delivers on mindless escapism. In the artistic sense, let's just say that Payback is a long way from Point Blank.
June 25, 2005
This is the seediest studio picture I've seen since TO LIVE OR DIE IN LA. Even the theater floor feels stickier while watching this thing unfold.
Globe and Mail
March 22, 2002
It quickly slides into a Lethal Weapon without Danny Glover, complete with blowups and wisecracks, gratuitous torture scenes and Gibson in familiar form as the twinkling rascal who makes a virtue out of viciousness.
May 10, 2007
A tough, entertaining homage to the kind of gritty '70s crime film that long ago gave way to a slicker yet tamer form of action movie ... Both the studio's cut and Helgeland's cut work about equally well.
February 14, 2001
It's undone not so much by the shadow of Lee Marvin falling heavily on it (which it does) as by the twin obstacles of big star image and, more to the point, excessive violence.