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Split (2017)
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Split (2017)

Description
As three girls made plans to escape their kidnapper, an Inhabited personality in the form of a beast begins to unfold.
Actors: Ann Wood ,
Ann Wood
Ann Wood
Peter Patrikios ,
Peter Patrikios
Peter Patrikios
Anya Taylor-Joy ,
Anya Taylor-Joy
Anya Taylor-Joy 16 April 1996, Miami, Florida, USA
Christopher Lee Philips ,
Christopher Lee Philips
Christopher Lee Philips
Lyne Renee ,
Lyne Renee
Lyne Renee 17 May 1979, Velzeke, Flanders, Belgium
Rosemary Howard ,
Rosemary Howard
Rosemary Howard
Roy James Wilson ,
Roy James Wilson
Roy James Wilson
Robin Rieger ,
Robin Rieger
Robin Rieger
Robert Michael Kelly ,
Robert Michael Kelly
Robert Michael Kelly
Kash Goins ,
Kash Goins
Kash Goins
Izzie Coffey ,
Izzie Coffey
Izzie Coffey
...»
Genre: Thriller Horror
Director: M. Night Shyamalan
M. Night Shyamalan
M. Night Shyamalan 6 August 1970, Mahé, Pondicherry, India
Country: United States
Release: 2017
IMDb: 7.3
Quality:
Duration: 117 min
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Split (2017)
CRITICS OF "Split (2017)"
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Daniel Bernal
Resource

March 17, 2017

A movie that you can't stop watching. All McAvoy's interpretations of its protagonist are enjoyable and the movie doesn't waste time in sequences or unnecessary explanations. [Full review in Spanish]
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Lindsey Bahr
Resource

January 27, 2017

Split isn't a disaster; it's just all over the place and not nearly as effective as it should be for something with such a good premise and performances.
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Britt Hayes
Resource

March 16, 2017

Split is [Shyamalan's] most thoughtful film in years, and one that contains ideas and feelings that resonate on a deep, visceral level.
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Anthony Lane
Resource

January 23, 2017

In short, we are watching an old-fashioned exploitation flick-part of a depleted and degrading genre that not even M. Night Shyamalan, the writer and director of "Split," can redeem.
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Candice Frederick
Resource

March 22, 2017

It's shot well. Its ominous setting, nestled deep in the pit of a dark, multi-layered, multi-doored complex puts you on edge. But the narrative -- LORD, this narrative -- becomes a steaming hot mess.
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Matt Brunson
Resource

April 22, 2017

Shyamalan oddly builds toward a climax that ultimately finds a positive side benefit to incest, pedophilia, and physical abuse.
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Richard Brody
Resource

January 30, 2017

The movie's simultaneous evocation of both the depravity at work beneath society's deceptive surfaces and the inadequacy of the liberal technocratic order to defend against that depravity is the secret to its success.
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Rex Reed
Resource

January 25, 2017

This is a filmmaker with almost no real talent for coherence, originality or purpose and in spite of his insistence on audience secrecy, his overly contrived plots are easy to figure out before the beginning of the second reel.
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Rain Jokinen
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March 23, 2017

Shyamalan doesn't do enough with the tired premise to make it truly memorable, not even bothering to give all three of the captive girls distinctive personalities of their own.
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J. R. Jones
Resource

January 26, 2017

Three teenage girls are held captive in a grimy building somewhere by a madman with 23 personalities, but at least they aren't trapped in a theater watching this exercise in tedium from vaunted master of surprise M. Night Shyamalan.
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Pablo Villaça
Resource

March 24, 2017

Shyamalan obviously understands the concept of suspense, but apparently doesn't know how to apply it anymore. [Full review in Portuguese.]
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David Edelstein
Resource

January 24, 2017

Shyamalan has returned to what he loves to do: use cheap horror tropes to create his own harebrained mythos.
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