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The Good, The Bad And The Ugly
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The Good, The Bad And The Ugly

Tuca (a scoundrel knows where gold is buried) but unfortunately, Blondie (a good person) knows the specific grave. And they go together though previously they have a feud. Another person is Angel Eyes (a bad guy), who is on the road looking for this treasure. What will happen? And are they successful?
Actors: Antonio Casale,
Antonio Casale
Antonio Casale 17 May 1932, Italy
Sergio Mendiz√°bal,
Sergio Mendiz√°bal
Sergio Mendiz√°bal 3 July 1920, San Sebasti√°n, Spain
Clint Eastwood,
Clint Eastwood
Clint Eastwood 31 May 1930, San Francisco, California, USA
Mario Brega,
Mario Brega
Mario Brega 5 March 1923, Rome, Lazio, Italy
Aldo Sambrell,
Aldo Sambrell
Aldo Sambrell 23 February 1931, Madrid, Madrid, Spain
Angelo Novi,
Angelo Novi
Angelo Novi 9 June 1930, Lanzo dIntelvi, Lombardy, Italy
Lorenzo Robledo,
Lorenzo Robledo
Lorenzo Robledo 1921
Sandro Scarchilli,
Sandro Scarchilli
Sandro Scarchilli 22 April 1934, Rome, Lazio, Italy
Antonio Molino Rojo,
Antonio Molino Rojo
Antonio Molino Rojo 14 September 1926, Valencia, Spain
Rada Rassimov,
Rada Rassimov
Rada Rassimov 1938, Trieste, Italy
Livio Lorenzon,
Livio Lorenzon
Livio Lorenzon 6 May 1923, Trieste, Friuli-Venezia Giulia, Italy
Genre: Action
Director: Sergio Leone
Sergio Leone
Sergio Leone 3 January 1929, Rome, Lazio, Italy
Country: International
Release: 1966
IMDb: 8.8
Duration: 161 min
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The Good, The Bad And The Ugly
CRITICS OF "The Good, The Bad And The Ugly"
Common Sense Media

December 15, 2010

Potent Italian-Western shoot-'em up/war drama.

July 22, 2008

The third in the Clint Eastwood series of Italo westerns, The Good, the Bad and the Ugly is exactly that -- a curious amalgam of the visually striking, the dramatically feeble and the offensively sadistic.
Ozus' World Movie Reviews

January 22, 2010

Its parody of genre conventions resonates with scope and power.
Detroit Free Press

September 11, 2003

Of all the great films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated only on the big screen.
Cinema Sight

August 15, 2011

The defining spaghetti western pits a charismatic Clint Eastwood against partner and nemesis Eli Wallach and perpetual enemy Lee Van Cleef.

June 16, 2016

There are two kinds of people, my friend. Those who love Sergio Leone's The Good, the Bad and the Ugly (1966) and those who resist the machismo and gallows humor of what is arguably the definitive spaghetti western.
TIME Magazine

August 11, 2008

All three arrive at the cache at the same time. Who gets it? Director Leone doesn't seem to care very much, and after 161 minutes of mayhem, audiences aren't likely to either.
Time Out

June 24, 2006

Sergio Leone's grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.
Antagony & Ecstasy

August 27, 2011

A unique vision of the American West as place of desolation and ruin on a truly epic scale.
Chicago Reader

March 28, 2007

Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

February 10, 2013

Leone's liberal use of widescreen shots in conjunction with extreme close-ups gives the movie an epic quality that is matched in scope by a skeletal narrative structure that breathes with a poker-faced mood, tone, and personality.
Hollywood Reporter

June 08, 2004

Sergio Leone's epic looks good, almost great, restored to its original running time.