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The Price of Everything
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The Price of Everything

Description
It is a realistic look at the world of painting and real art that lies in our values and times. Here we present a series of events that illustrate the hot market between artists, drawings and artistic life through the world of contemporary art, which bears a true mirror about our values and times that reflect real art.
Actors: George Condo,
George Condo
George Condo 1957 in Concord, New Hampshire, USA
Margaret Lee,
Margaret Lee
Margaret Lee
Jerry Saltz,
Jerry Saltz
Jerry Saltz
Marilyn Minter,
Marilyn Minter
Marilyn Minter
Amy Cappellazzo,
Amy Cappellazzo
Amy Cappellazzo
Stefan Edlis,
Stefan Edlis
Stefan Edlis
Gerhard Richter,
Gerhard Richter
Gerhard Richter February 9, 1932 in Dresden, Saxony, Germany
Njideka Akunyili Crosby,
Njideka Akunyili Crosby
Njideka Akunyili Crosby
Larry Poons,
Larry Poons
Larry Poons 1937 in Tokyo, Japan
Jeff Koons
Jeff Koons
Jeff Koons 21 January 1955, York, Pennsylvania, USA
Genre: Documentary
Director: Nathaniel Kahn
Country: United States
Release: 2018
IMDb: 7.3
Quality:
Duration: 98 min
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The Price of Everything
CRITICS OF "The Price of Everything"
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Screen International
Resource

November 06, 2018

The wide ranging perspectives of painters, collectors, dealers and gallery owners makes for a thought-provoking and unexpectedly moving film with the potential to attract both a specialist and a more general audience.
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Time Out
Resource

November 12, 2018

An intelligent film, 'The Price of Everything' is also very funny - usually on purpose, though some of the art is ridiculous.
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Philadelphia Daily News
Resource

October 31, 2018

The uneasy relationship between art and money... is explored with wit and verve...
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AV Club
Resource

October 17, 2018

Look, the film seems to say, and take from it what you will-but make sure you catch all the detail, because it's not as simple as it seems.
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Decider
Resource

November 13, 2018

Any insight into the mysterious world of contemporary art is worth watching.
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Little White Lies
Resource

November 15, 2018

Cool and nominally neutral, there is nonetheless a genius use of one scene from Martin Scorsese's grim and glossily-reproachful The Wolf of Wall Street that makes the director's feelings on the subject crystal clear.
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Wall Street Journal
Resource

November 12, 2018

Nathaniel Kahn lets the contemporary-art market shoot itself in the pedicured foot. But not everything worth saying needs to be articulated in this highly polished documentary-a beautiful piece of representational art, as it happens.
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Los Angeles Times
Resource

October 25, 2018

Kahn is a quiet filmmaker, and he gently prods his sources to go beyond the typical art world hyperbole of "gorgeous" and "wonderful."
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Backseat Mafia
Resource

November 13, 2018

Incisive and amusing
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Boston Globe
Resource

October 26, 2018

The implicit castigation the documentary has to offer is hard to miss. So is the sense of overriding fascination. Is it possible to cast a cold eye if the look being given is so wide-eyed?
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Financial Times
Resource

November 14, 2018

The film is cheery, disorientating, witty, bleak, dizzying.
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RogerEbert.com
Resource

October 19, 2018

A scrappy documentary on the increasingly currency-focused machinations of the art world.
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